Course Coordinator:Ginna Brock (gbrock@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine CoastUniSC Moreton BayUniSC Fraser Coast |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Online |
Online | You can do this course without coming onto campus. |
Please go to usc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
This course introduces you to a variety of creative writing skills and consists of a series of exercises and activities designed to develop essential aspects of the creative writer's craft with a foundation in theory. A selection of readings in a range of approaches, styles and techniques will serve as models of good writing and help you reflect on your writing practice.
Activity | Hours | Beginning Week | Frequency |
Blended learning | |||
Learning materials – Asynchronous online delivery of learning material. | 1hr | Week 1 | 12 times |
Tutorial/Workshop 1 – Synchronous and scheduled face to face workshops. | 2hrs | Week 1 | 12 times |
Online | |||
Learning materials – Asynchronous online delivery of learning material. | 1hr | Week 1 | 12 times |
Tutorial/Workshop 1 – Synchronous online workshops (Recorded). | 2hrs | Week 1 | 12 times |
Course Topics:
100 Level (Introductory)
12 units
Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Mapping Completing these tasks successfully will contribute to you becoming... | Professional Standard Mapping * Education for Sustainable Development Goals | |
1 | Demonstrate knowledge of a range of foundational narrative techniques and forms used in creative writing practice | Knowledgeable |
4.1.1
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2 | Create creative writing artefacts in alignment with publishing industry standards of professional presentation and communication | Empowered |
17.3.1
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3 | Demonstrate the ability to create and critically reflect on creative writing in relation to theoretical concepts and/or societal contexts | Creative and critical thinker |
17.2.3
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4 | Analyse creative writing texts using scholarly conventions, critical thinking and the application of theory to practice | Creative and critical thinker |
4.1.1
|
CODE | COMPETENCY |
Education for Sustainable Development Goals | |
4.1.1 | The learner understands the important role of education and lifelong learning opportunities for all (formal, non-formal and informal learning) as main drivers of sustainable development, for improving people’s lives and in achieving the SDGs |
17.3.1 | The learner is able to become a change agent to realize the SDGs and to take on their role as an active, critical and global and sustainability citizen. |
17.2.3 | The learner is able to take ownership of the SDGs. |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
Not applicable
Not applicable
Not applicable
You are expected to have established reading and writing skills. English language basics are not taught in this course except as elements of narrative style
Standard Grading (GRD)
High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
Students will receive informal feedback on their weekly workshop activities.
Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
All | 1 | Artefact - Creative, and Written Piece | Individual | 34% | Creative Response: 800 words plus a Critical Reflection: 250 words |
Week 5 | Online Assignment Submission with plagiarism check and in class |
All | 2 | Artefact - Creative, and Written Piece | Individual | 34% | Creative Response: 800 words plus a Critical Reflection: 250 words |
Week 10 | Online Assignment Submission with plagiarism check |
All | 3 | Artefact - Creative, and Written Piece | Individual | 32% | Creative Response: 800 words plus a Critical Reflection: 250 words |
Week 13 | Online Assignment Submission with plagiarism check |
All - Assessment Task 1:Unit 1 - Writing Portfolio and Creative/Critical Artefact | |
Goal: | The goal of this task is to give you an opportunity to develop your writing skills and narrative knowledge in the epistolary form of narration. This task will also provide opportunity to critically analyse creative practices and to develop original ideas that align with publishing industry standards. |
Product: | Artefact - Creative, and Written Piece |
Format: | Professional/industry format: Formal Submission (two parts): 1. At the end of the epistolary form unit, you will write a scene/scenario/short story in your chosen epistolary form. The work must be thoroughly edited and professionally presented. You will construct and polish an 800-word creative piece in a specific form from Unit 1 (20%). 2. Write a 250 word critical response to your piece – indicating and analysing the specific conventions of the form used and manipulated – focusing on the impact/effect these crafting choices made on the overall aesthetic of the piece (bring in at least 1 critical source and 1 example from the readings to substantiate claims) (10%). The other 4% for this mark will consist of your writing portfolio. You are required to read, engage with, and discuss the set material each week. Each week you will complete short creative writing exercises in tutorials and critically reflect on your writing within the set narrative conventions. These tutorial activities will prepare you, and may provide the basis, for your submission. |
Criteria: |
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All - Assessment Task 2:Unit 2 - Writing Portfolio and Creative/Critical Artefact | |
Goal: | The goal of this task is to give you an opportunity to develop your writing skills and knowledge in the prose form of narration. This task will also provide opportunity to critically analyse creative practices and to develop original ideas that align with publishing industry standards. |
Product: | Artefact - Creative, and Written Piece |
Format: | Professional/industry format: Formal Submission (two parts): 1. At the end of the prose form unit, you will write a scene/scenario/short story in your chosen epistolary form. The work must be thoroughly edited and professionally presented. You will construct and polish an 800-word creative piece in a specific form from Unit 2 (20%). 2. Write a 250 word critical response to your piece – indicating and analysing the specific conventions of the form used and manipulated – focusing on the impact/effect these crafting choices made on the overall aesthetic of the piece (bring in at least 1 critical source and 1 example from the readings to substantiate claims) (10%). The other 3% for this mark will consist of your writing portfolio. You are required to read, engage with, and discuss the set material each week. Each week you will complete short creative writing exercises in tutorials and critically reflect on your writing within the set narrative conventions. These tutorial activities will prepare you, and may provide the basis, for your submission. |
Criteria: |
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All - Assessment Task 3:Unit 3 - Writing Portfolio and Creative/Critical Artefact | |
Goal: | The goal of this task is to give you an opportunity to develop your writing skills and knowledge in the performative form of narration. This task will also provide opportunity to critically analyse creative practices and to develop original ideas that align with publishing industry standards. |
Product: | Artefact - Creative, and Written Piece |
Format: | Professional/industry format: Formal Submission (two parts): 1. At the end of the performative form unit, you will write a script/illustrative story/poetry collection in your chosen performative form. The work must be thoroughly edited and professionally presented. You will construct and polish an 800-word creative piece in a specific form from Unit 3 (20%). 2. Write a 250 word critical response to your piece – indicating and analysing the specific conventions of the form used and manipulated – focusing on the impact/effect these crafting choices made on the overall aesthetic of the piece (bring in at least 1 critical source and 1 example from the readings to substantiate claims) (10%). The other 3% for this mark will consist of your writing portfolio. You are required to read, engage with, and discuss the set material each week. Each week you will complete short creative writing exercises in tutorials and critically reflect on your writing within the set narrative conventions. These tutorial activities will prepare you, and may provide the basis, for your submission. |
Criteria: |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
Please note that you need to have regular access to the resource(s) listed below. Resources may be required or recommended.
Required? | Author | Year | Title | Edition | Publisher |
Recommended | Shelley Davidow,Paul Williams | 2016 | Playing With Words | n/a | Red Globe Press |
Nil
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying: The final mark is in the percentage range 47% to 49.4% The course is graded using the Standard Grading scale You have not failed an assessment task in the course due to academic misconduct.
Late submission of assessment tasks may be penalised at the following maximum rate: - 5% (of the assessment task's identified value) per day for the first two days from the date identified as the due date for the assessment task. - 10% (of the assessment task's identified value) for the third day - 20% (of the assessment task's identified value) for the fourth day and subsequent days up to and including seven days from the date identified as the due date for the assessment task. - A result of zero is awarded for an assessment task submitted after seven days from the date identified as the due date for the assessment task. Weekdays and weekends are included in the calculation of days late. To request an extension you must contact your course coordinator to negotiate an outcome.
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For help with course-specific advice, for example what information to include in your assessment, you should first contact your tutor, then your course coordinator, if needed.
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