Course Coordinator:Amanda Fiedler (afiedler@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine CoastUniSC Moreton Bay |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Online |
Online | You can do this course without coming onto campus. |
Please go to usc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
Recognising genre as integral to the production, marketing, and reception of screen content, this course develops your understanding of narrative form and genre film. You will explore these in consideration of aesthetic, technological and industrial imperatives, as well as broader social and cultural contexts. You will examine a breadth of films and genres, including films and movements that revolutionised cinema, contemplate how technological developments continue to transform filmmaking and apply this knowledge to your own screen production practice.
Activity | Hours | Beginning Week | Frequency |
Blended learning | |||
Learning materials – Interactive online learning activities. | 1hr | Week 1 | 10 times |
Tutorial/Workshop 1 – Scheduled face to face workshops. | 2hrs | Week 1 | 10 times |
Online | |||
Learning materials – Interactive online learning activities. | 1hr | Week 1 | 10 times |
Tutorial/Workshop 1 – Scheduled online workshops (Recorded). | 2hrs | Week 1 | 10 times |
Fiction Filmmaking
Narrative Film Conventions
Film Genres, Cycles and Histories
Film Narrative
200 Level (Developing)
12 units
Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
1 | Identify and understand screen genre, aesthetics and production techniques using correct screen terminology | Knowledgeable |
2 | Apply relevant codes, conventions, and aesthetics in the production of a creative work. |
Knowledgeable Creative and critical thinker Engaged |
3 | Critically analyse screen texts in relation to aesthetics, narrative, characterisation, and theme |
Knowledgeable Empowered |
4 | Identify and analyse genres and creative approaches in regard to relevant cultural, historical, political and industrial contexts |
Knowledgeable Creative and critical thinker |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
Not applicable
Not applicable
Not applicable
Assumed knowledge/experience in screen language and screen production practice at an intermediate level.
Standard Grading (GRD)
High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
By Week 3 of this course you will have received in class feedback on your knowledge and understanding of course content.
Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
All | 1 | Activity Participation | Individual | 20% | Minimum of one (1) short (50 words) discussion post per week. |
Throughout teaching period (refer to Format) | Online Discussion Board |
All | 2 | Artefact - Creative, and Written Piece | Individual | 45% | Scene breakdown document, storyboard and animatic (short video with still images) plus 800-word (+/- 10%) written reflection (word length includes in-text referencing and excludes your reference list and appendices) |
Week 10 | Online Assignment Submission with plagiarism check and in class |
All | 3 | Essay | Individual | 35% | 1500 words (+/- 10%) (word length includes in-text referencing and excludes your reference list and appendices) |
Exam Period | Online Submission |
All - Assessment Task 1:Online discussion participation | |
Goal: | To demonstrate and develop your knowledge and analysis of genre and narrative film codes and conventions, as well as screen terminology, language and aesthetics. |
Product: | Activity Participation |
Format: | Minimum of one (1) short (50 words) discussion posts on Canvas discussion boards to be completed by Friday 11.59pm at the end of each week. Discussion posts should cover key concepts, codes and conventions in popular screen media. Weeks 1-10. This is an opportunity to show that you understand and can explain the readings. It is also an opportunity to reflect on the learning activities, and how they relate to the course materials. |
Criteria: |
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All - Assessment Task 2:Scene Change and Critical Analysis | |
Goal: | To demonstrate and develop your ability to effectively utilise screen production and aesthetic techniques, and implement key aspects of a film genre/movement. |
Product: | Artefact - Creative, and Written Piece |
Format: | This task involves transcribing a scene, shot-for-shot, from an existing film and identifying the codes and conventions that situate the film within a specific genre or film movement. You are then required to create a storyboard and animatic (or short video with still images) that reinterprets the scene as a different genre/movement. You will also provide an 800-word critical reflection on your creative process. |
Criteria: |
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All - Assessment Task 3:Argumentative Essay | |
Goal: | To demonstrate and develop your research skills, your ability to think critically, your academic writing ability, and your aptitude for textual analysis. |
Product: | Essay |
Format: | You will produce a 1500-word essay that directly addresses your chosen essay topic (3 choices available) and makes a central cohesive argument. Essay should be formatted as follows: Times New Roman, 12 point font, 1.5 double line spacing. Harvard referencing style. Include in-text citations and a corresponding reference list. Essay must include a minimum of six (6) academic references. Submit as Word .doc format. |
Criteria: |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
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Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying: The final mark is in the percentage range 47% to 49.4% The course is graded using the Standard Grading scale You have not failed an assessment task in the course due to academic misconduct
Late submission of assessment tasks may be penalised at the following maximum rate: - 5% (of the assessment task's identified value) per day for the first two days from the date identified as the due date for the assessment task. - 10% (of the assessment task's identified value) for the third day - 20% (of the assessment task's identified value) for the fourth day and subsequent days up to and including seven days from the date identified as the due date for the assessment task. - A result of zero is awarded for an assessment task submitted after seven days from the date identified as the due date for the assessment task. Weekdays and weekends are included in the calculation of days late. To request an extension you must contact your course coordinator to negotiate an outcome.
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