Course Coordinator:Tricia King (tking2@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine Coast |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Online |
Online | You can do this course without coming onto campus. |
Please go to usc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
This course will build on your technical skills to further your photographic literacies and engagement with contemporary practices and ideas, Focusing on both theoretical and practical approaches to photography, you will explore critical theories which underpin the ways in which we create and engage with photographs and draw these ideas into the production of your own work. The emphasis will be on developing narrative throughout your work whilst working ethically, professionally, and with social conscience as you consider ideas around collaboration, representation and post-truth dialogues.
Activity | Hours | Beginning Week | Frequency |
Blended learning | |||
Learning materials – Interactive online learning activities. | 1hr | Week 1 | 12 times |
Tutorial/Workshop 1 – Scheduled face to face workshops. | 2hrs | Week 1 | 10 times |
Seminar – Scheduled face to face seminars. | 2hrs | Week 5 | 2 times |
Online | |||
Learning materials – Interactive online learning activities. | 1hr | Week 1 | 12 times |
Tutorial/Workshop 1 – Scheduled online workshops (Recorded). | 2hrs | Week 1 | 10 times |
Seminar – Scheduled online seminars (Recorded). | 2hrs | Week 5 | 2 times |
Visual literacy; reading images; documentary genres; ethics; portraiture; photo essay; narrative photography; studio lighting; contemporary photographic practices
200 Level (Developing)
12 units
Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
1 | Understand the ethical and professional implications of photography and its relationship to image making, including the ways in which photographs can be used to help address the Sustainable Development Goals (SDGs). |
Knowledgeable Ethical |
2 | Analyse the role of images within the broader framework of contemporary society and apply this to your photographic practice. |
Knowledgeable Ethical |
3 | Develop the capacity to see and create good image making opportunities. |
Creative and critical thinker Empowered |
4 | Apply critical theoretical principals to comprehend varying functions of creating and disseminating photographs including understanding diverse technical situation and post-production processes and software. | Knowledgeable |
5 | Evaluate, explain and communicate clearly the processes, problems and successes of your photography. |
Knowledgeable Empowered |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
Not applicable
Not applicable
Not applicable
Not applicable
Standard Grading (GRD)
High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
Formative reviews will be ongoing each week as part of the weekly sharing and critique sessions. This will start in week three.
Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
All | 1 | Artefact - Creative, and Written Piece | Individual | 30% | Provide 6 digital images and written reflective journal. |
Week 5 | Online Submission |
All | 2 | Artefact - Creative, and Written Piece | Individual | 35% | 10 digital images, artist statement and written process journal |
Week 9 | Online Submission |
All | 3 | Artefact - Creative, and Written Piece | Individual | 35% | 6 digital images and written reflective journal |
Week 13 | Online Submission |
All - Assessment Task 1:The Transformative Power of Photography and Text | |
Goal: | Language is a powerful tool and its use in combination with visual imagery in art has a long history. This assignment will explore different ways in which adding text can support your images and allow you to use textual elements to draw in new ideas, alternative perspectives or quite simply reiterate the message your image is communicating. Across all our Creative Industries undergraduate programs, we are collecting data for assurance of learning purposes. This task is being used for measurement towards our School's Association to Advance Collegiate Schools of Business (AACSB) accreditation. The following Program Competency will be assessed: PC 2 - Critical and creative thinkers and practitioners. |
Product: | Artefact - Creative, and Written Piece |
Format: | Using a diverse range of approaches, create 6 images which explore the use of text (within and/or outside the image) to create a strong unified narrative. Create a reflective journal to accompany the images which will show documentation of the creative and technical approaches. Submit your images and your journal with via the Learning Management System. |
Criteria: |
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All - Assessment Task 2:Photo narratives- telling the story | |
Goal: | To use photo documentary techniques to document an authentic industry, social, or cultural event to communicate a narrative story. |
Product: | Artefact - Creative, and Written Piece |
Format: | Create a narrative of an authentic industry/social/cultural experience, or document a community organisation, a plight or affirmative action within a local community, or an event occurrence of your choosing. You must produce a work which is documentary, not conceptual or fictionalised. Choose 10 images from your shoot that best depicts the strongest narrative to communicate your story. Create a PDF which shows the order and layout of the images to tell the story Create a reflective journal to accompany the images which will show documentation of the creative and technical approaches and outline the role of each of the images. Submit your images and your journal via Canvas. |
Criteria: |
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All - Assessment Task 3:Beyond Face Value - Creative Portraiture | |
Goal: | Examine photographic representation through portraiture by comparing and contrasting different ways of representing the same person. Compare the difference between taking a portrait with natural light to showcase your model's inherent character/personality and then creating a constructed character/personality using props and studio settings. |
Product: | Artefact - Creative, and Written Piece |
Format: | This assessment allows you to explore different ways of representing your subject. You will use both studio and natural lighting to achieve 6 different portraits (3 natural, 3 studio) and create a scholarly and reflective journal which articulates your process. You will use the same model for your studio and natural lighting portraits however the aim is to show radically different sides of their characters. Create a reflective journal to accompany the images which will show documentation of the creative and technical approaches. Submit your images and your journal with via the Learning Management System. |
Criteria: |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
Student must have access to DSLR/mirrorless camera and lenses (hire available for on campus students). This course requires some commercial software or hardware which is provided at UniSC campuses for student use. If you elect to do this course online, you may either; attend a campus at which it is available, discuss alternative open source solutions with your course coordinator that would enable you to demonstrate the learning outcomes, or if you prefer you may acquire this software and / or hardware at your own expense.
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying: The final mark is in the percentage range 47% to 49.4% The course is graded using the Standard Grading scale You have not failed an assessment task in the course due to academic misconduct.
Late submission of assessment tasks may be penalised at the following maximum rate: - 5% (of the assessment task's identified value) per day for the first two days from the date identified as the due date for the assessment task. - 10% (of the assessment task's identified value) for the third day - 20% (of the assessment task's identified value) for the fourth day and subsequent days up to and including seven days from the date identified as the due date for the assessment task. - A result of zero is awarded for an assessment task submitted after seven days from the date identified as the due date for the assessment task. Weekdays and weekends are included in the calculation of days late. To request an extension you must contact your course coordinator to negotiate an outcome.
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