Course Coordinator:Carl Walling (cwalling@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine CoastUniSC Moreton Bay |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Online |
Online | You can do this course without coming onto campus. |
Please go to usc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
In this highly practical course, you will develop an understanding of key twentieth century theatre movements by exploring performance ideas in workshops, reading plays, viewing performance(s) and engaging in research. You will expand your knowledge of these movements histories, rationales and philosophies. The movements studied include Realism, Symbolism, Futurism, Dada, Expressionism, Epic Theatre, Theatre of the Absurd and a variety of Postmodernism informed artists. This course will combine theory and practice with a focus on building performance skills.
Activity | Hours | Beginning Week | Frequency |
Blended learning | |||
Learning materials – Asynchronous Online Delivery of Learning Material | 1hr | Week 1 | 10 times |
Tutorial/Workshop 1 – Scheduled On-Campus Workshops | 2hrs | Week 1 | 12 times |
Online | |||
Learning materials – Asynchronous Online Delivery of Learning Material | 1hr | Week 1 | 10 times |
Tutorial/Workshop 1 – Scheduled Online Workshops | 2hrs | Week 1 | 12 times |
Throughout the semester DRA 102: Exploring Twentieth Century Theatre students will:
100 Level (Introductory)
12 units
Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
1 | Communicate knowledge of Twentieth Century Theatre forms | Knowledgeable |
2 | Analyse a play text in relation to its historical, social and political context | Creative and critical thinker |
3 | Analyse a playwright's aesthetic choices based on their philosophical, cultural and artistic contexts. | Creative and critical thinker |
4 | Create a short performance demonstrating a contemporary activation of a specific Twentieth Century performance form. | Empowered |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
Not applicable
Not applicable
DRA302
Competent English language skills for oral and written work.
Standard Grading (GRD)
High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
Students will have an opportunity to provide an early outline/plan for their first assessment task's performance review in Week 3. All groups working on second assessment task's Living Newspaper piece will have a workshop performance during Week 8.
Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
All | 1 | Written Piece | Individual | 20% | 800 words |
Week 4 | Online Assignment Submission with plagiarism check |
All | 2 | Creative Performance | Group | 40% | 6-8 minutes |
Week 9 | Online Assignment Submission with plagiarism check and in class |
All | 3 | Essay | Individual | 40% | 1200-1500 words |
Exam Period | Online Assignment Submission with plagiarism check |
All - Assessment Task 1:Performance Review | |
Goal: | Creative practitioners can review and critique a contemporary performance work's themes through script analysis, production values and creative choices. |
Product: | Written Piece |
Format: | You will watch a recorded professional live theatre performance on Digital Theatre Plus and compose a performance critique. Your performance critique will analyse the production's communication of significant themes for an audience through key production choices. Further information will be provided during workshops and on Canvas. |
Criteria: |
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All - Assessment Task 2:Group Performance - The Living Newspaper | |
Goal: | As a developing theatre practitioner, in this task you will enhance your performance skills by realising a historic performance style. |
Product: | Creative Performance |
Format: | You will perform a well-rehearsed six to eight minute scripted performance based on the Living Newspaper techniques brought forward by the Federal Theatre Project during the Great Depression in 1930's America. Though this assessment task, your group will explore how this movement responded to other early twentieth century theatre styles across the globe. Each group will select a prominent Australian news story during 2024 and then transform your research into the six to eight minute performance. In Week 8, your group will perform an early draft of this assignment for instructor feedback. Further information about this task will be provided on Canvas. |
Criteria: |
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All - Assessment Task 3:Connecting Author to Play-Text | |
Goal: | Theatre practitioners analyse a play-text in relation to the playwright's approach towards dramatic style and aesthetics. |
Product: | Essay |
Format: | For this assignment, you must choose one of the pre-selected play and playwright combinations provided by the course coordinator. The resulting essay will analyse the playwright's construction of their dramatic work as a reflection of dramatic style and aesthetics. The essay will build from the course's set readings, script analysis of the play-text and course workshops. The essay's research will focus on the playwright's artistic approaches, their theories towards dramatic form and the socio-political influences. Further information will be provided in the learning materials and on Canvas. |
Criteria: |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
Students are recommended to wear loose, comfortable clothing suitable for drama workshop activities.
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying: The final mark is in the percentage range 47% to 49.4% The course is graded using the Standard Grading scale You have not failed an assessment task in the course due to academic misconduct
Late submission of assessment tasks may be penalised at the following maximum rate: - 5% (of the assessment task's identified value) per day for the first two days from the date identified as the due date for the assessment task. - 10% (of the assessment task's identified value) for the third day - 20% (of the assessment task's identified value) for the fourth day and subsequent days up to and including seven days from the date identified as the due date for the assessment task. - A result of zero is awarded for an assessment task submitted after seven days from the date identified as the due date for the assessment task. Weekdays and weekends are included in the calculation of days late. To request an extension you must contact your course coordinator to negotiate an outcome.
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