Course Coordinator:Lachlan Goold (lgoold@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine Coast |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Please go to unisc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
In this course, you will study the foundations of Digital Audio Workstations and sound recording in an industry reflective studio environment. Lecturers and industry practitioners will guide you as you engage in the basic theories and skills of sound, audio engineering, and music production. You will apply that knowledge in a number of music production tasks, including recording, overdubbing, audio processing, editing, and mixing. These tasks will culminate in a mixed and produced original sound recording of a musical work as part of your creative portfolio.
| Activity | Hours | Beginning Week | Frequency |
| Blended learning | |||
| Learning materials – Asynchronous online delivery of learning material. | 1hr | Week 1 | 12 times |
| Tutorial/Workshop 1 – Synchronous and scheduled face to face workshops. | 2hrs | Week 1 | 6 times |
| Tutorial/Workshop 2 – Synchronous and scheduled face to face workshops. | 4hrs | Week 8 | 3 times |
100 Level (Introductory)
12 units
| Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
| 1 | Develop and implement modern concepts of music theory in a music and sound production environment. | Knowledgeable |
| 2 | Demonstrate knowledge of a Digital Audio Workstation (DAW) to apply critical and creative approaches to music creation and sound recording. | Empowered |
| 3 | Apply a diverse range of sound theory and audio engineering principles based on industry concepts and instructional literature. | Knowledgeable |
| 4 | Analyse and evaluate the recording process including knowledge of microphones, and other digital and analogue technologies. | Empowered |
| 5 | Develop and implement a demonstration recording for communicating musical concepts and ideas. | Engaged |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
Not applicable
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Standard Grading (GRD)
| High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
An opportunity exists in every workshop to produce and perform creative pieces individually and/or in small peer groups and in Week 4 students will receive individual feedback from tutors.
| Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
| All | 1 | Artefact - Technical and Scientific | Individual | 30% | approx 10 min |
Week 5 | Online Submission |
| All | 2 | Artefact - Creative | Individual | 30% | DAW session with 2-5 min of music. |
Week 11 | Online Assignment Submission with plagiarism check |
| All | 3 | Artefact - Creative, and Written Piece | Individual | 40% | 2-5 min plus 500 words. |
Exam Period | Online Assignment Submission with plagiarism check |
| All - Assessment Task 1:Studio Signal Flow | ||||||||||||||||
| Goal: | This assessment aims to demonstrate your understanding of the basic elements of signal flow in a recording studio environment. |
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| Product: | Artefact - Technical and Scientific | |||||||||||||||
| Authorship Statement: | ||||||||||||||||
| Format: | Using an industry-reflective studio environment, you will perform a number of technical tasks as set out in the assessment guide provided to you in the semester. You will be given 10 minutes to complete a series of tasks to reflect your foundational knowledge of analogue & digital signal flow, DAWs, and their associated workflow. |
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| Criteria: |
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| Generic Skills: | Problem solving, Organisation, Applying technologies |
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| All - Assessment Task 2:DAW Demo Session | ||||||||||||||||
| Goal: | This assessment aims to demonstrate your ability to use analogue and digital recording technology to produce sound recordings that communicate musical ideas. |
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| Product: | Artefact - Creative | |||||||||||||||
| Authorship Statement: | ||||||||||||||||
| Format: | In this task, you will use the facilities to produce a demonstration recording. Using your knowledge of analogue and digital recording and music production, you will provide a DAW session demonstrating production ideas before mixdown. This DAW session will present several foundation audio engineering principles as outlined in the assessment guide provided in the learning materials. |
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| Criteria: |
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| Generic Skills: | Problem solving, Organisation, Applying technologies |
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| All - Assessment Task 3:Final Report and Mixdown | |||||||||||||||||||
| Goal: | This assessment aims to demonstrate your ability to work in the technical frameworks provided to achieve an informed and aesthetically appropriate demonstration mixdown of a musical work. |
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| Product: | Artefact - Creative, and Written Piece | ||||||||||||||||||
| Authorship Statement: | |||||||||||||||||||
| Format: | In this task, you will deliver a final mixdown of the musical work from assessment 2. This final mixdown will demonstrate your technical and creative work in displaying several recording and music production techniques. In addition, you will deliver a written report of the approaches you used in this process and critically reflect on how you might improve upon your process and recorded outcome. |
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| Criteria: |
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| Generic Skills: | Communication, Problem solving, Organisation, Applying technologies |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
| Period and Topic | Activities |
Tutorial/Workshop 2: weeks 8 to 12 |
4 hour workshops will take place in week 8, 10 & 12 |
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
In this class, you will require the foundation tools of the music producer. These are: • a Hard Drive with 100Gb of free memory • a set of stereo headphones for music production Students are expected to make themselves available for autonomous recording sessions. Students must therefore consider their availability on evenings and weekends as well as normal working hours.
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Eligibility for Supplementary Assessment
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying:
(a) The final mark is in the percentage range 47% to 49.4%; and
(b) The course is graded using the Standard Grading scale
Late submissions may be penalised up to and including the following maximum percentage of the assessment task’s identified value, with weekdays and weekends included in the calculation of days late:
(a) One day: deduct 5%;
(b) Two days: deduct 10%;
(c) Three days: deduct 20%;
(d) Four days: deduct 40%;
(e) Five days: deduct 60%;
(f) Six days: deduct 80%;
(g) Seven days: A result of zero is awarded for the assessment task.
The following penalties will apply for a late submission for an online examination:
Less than 15 minutes: No penalty
From 15 minutes to 30 minutes: 20% penalty
More than 30 minutes: 100% penalty
For more information on Academic Learning & Teaching categories including:
For more information, visit https://www.usc.edu.au/explore/policies-and-procedures#academic-learning-and-teaching
UniSC is committed to excellence in teaching, research and engagement in an environment that is inclusive, inspiring, safe and respectful. The Student Charter sets out what students can expect from the University, and what in turn is expected of students, to achieve these outcomes.