Course Coordinator:Lachlan Goold (lgoold@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine Coast |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Please go to unisc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
In this course, you will study the history of popular music and culture in 20th and 21st Century Western traditions. You will use this knowledge to engage in analytical and creative tasks that include songwriting, production and recording. These tasks will culminate in a sound recording reflective of a chosen historically informed approach to songwriting and studio production.
| Activity | Hours | Beginning Week | Frequency |
| Blended learning | |||
| Learning materials – Interactive online learning activities. | 1hr | Week 1 | 11 times |
| Tutorial/Workshop 1 – Scheduled face to face workshops. | 2hrs | Week 1 | 11 times |
200 Level (Developing)
12 units
| Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
| 1 | Analyse and assess the connection between key historical events, cultural contexts, politics, music and popular culture | Sustainability-focussed |
| 2 | Examine and participate in critical discussions regarding popular music and its cultural and social context using key academic frameworks. | Creative and critical thinker |
| 3 | Develop an intermediate knowledge of song and lyric writing based on the practices of relevant historical periods in popular music. | Knowledgeable |
| 4 | Develop an intermediate knowledge of record and music production based on the practices of relevant historical periods in music recording. | Knowledgeable |
| 5 | Produce a recorded music artefact of your own creative work taking into consideration particular historical music production processes. | Engaged |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
MUS100 or MUS101
Not applicable
Not applicable
Not applicable
Not applicable
Standard Grading (GRD)
| High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
An opportunity exists in every workshop to produce and perform creative work individually and/or in small peer groups. Using assessment criteria and an assessment rubric, provided to students prior to commencing, students will self-assess and peer assess throughout the entire course. This assessment will be moderated and finalised by the Course Coordinator.
| Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
| All | 1 | Artefact - Creative | Individual | 40% | 5 minutes + slides with references |
Week 6 | In Class |
| All | 3 | Artefact - Creative, and Written Piece | Individual and Group | 60% | 2-5 minute recording and 1500 words |
Exam Period | Online Submission |
| All - Assessment Task 1:Presentation of a Producer and Production Innovation | ||||||||||||||||
| Goal: | In this assessment, you will develop and deliver a presentation on a song of your choice from the 20th and 21st-century and discuss the critical production choice/s and/or production innovation/s that contribute the largest impact on the final artefact. |
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| Product: | Artefact - Creative | |||||||||||||||
| Authorship Statement: | ||||||||||||||||
| Format: | You will select and research music producer and/or innovative production technique in a specific song and develop a 5-minute presentation discussing the historical context, technical information and reasoning of your choice. You must submit your slides/visuals including references. At the end of this presentation, you will have to respond to a question from the lecturer that contributes to your overall task mark. |
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| Criteria: |
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| Generic Skills: | Communication, Information literacy |
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| All - Assessment Task 3:Historic Production of Original Song | ||||||||||||||||
| Goal: | This assessment aims to apply your knowledge as a songwriter and producer to create an original work using a historically informed production approach. |
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| Product: | Artefact - Creative, and Written Piece | |||||||||||||||
| Authorship Statement: | ||||||||||||||||
| Format: | You will use critical listening to analyse a particular production approach and create a recording of an original song individually, or as a group, that demonstrates this production approach and applied knowledge of specific historical production and songwriting practice. This recording will implement technical knowledge of relevant historical production and songwriting practice to create a new sound recording. You will outline your contribution to the songwriting and production choices, detailing your approaches as social and cultural acts in a 1500-word reflection. |
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| Criteria: |
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| Generic Skills: | Collaboration, Problem solving, Organisation, Applying technologies |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
It is recommended that students have basic DAW competency for this course. Students are expected to make themselves available for autonomous recording sessions. Students must therefore consider their availability on evenings and weekends as well as normal working hours.
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Eligibility for Supplementary Assessment
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying:
(a) The final mark is in the percentage range 47% to 49.4%; and
(b) The course is graded using the Standard Grading scale
Late submissions may be penalised up to and including the following maximum percentage of the assessment task’s identified value, with weekdays and weekends included in the calculation of days late:
(a) One day: deduct 5%;
(b) Two days: deduct 10%;
(c) Three days: deduct 20%;
(d) Four days: deduct 40%;
(e) Five days: deduct 60%;
(f) Six days: deduct 80%;
(g) Seven days: A result of zero is awarded for the assessment task.
The following penalties will apply for a late submission for an online examination:
Less than 15 minutes: No penalty
From 15 minutes to 30 minutes: 20% penalty
More than 30 minutes: 100% penalty
For more information on Academic Learning & Teaching categories including:
For more information, visit https://www.usc.edu.au/explore/policies-and-procedures#academic-learning-and-teaching
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