Course Coordinator:Briony Luttrell (bluttrell@usc.edu.au) School:School of Business and Creative Industries
UniSC Sunshine Coast |
Blended learning | Most of your course is on campus but you may be able to do some components of this course online. |
Please go to usc.edu.au for up to date information on the
teaching sessions and campuses where this course is usually offered.
In this course, you will develop your songwriting knowledge and skills into a community-facing skillset. You will be guided by lecturers and other industry practitioners as you engage in intermediate songwriting tasks including expanded concepts of lyric writing, pitch and rhythm, sound design, and musical direction. These tasks will culminate in an interdisciplinary collaborative project presented in a community-based environment with you as part of the musical direction team.
Activity | Hours | Beginning Week | Frequency |
Blended learning | |||
Learning materials – Interactive online learning activities. | 1hr | Week 1 | 12 times |
Tutorial/Workshop 1 – Scheduled face to face workshops. | 2hrs | Week 1 | 12 times |
200 Level (Developing)
12 units
Course Learning Outcomes On successful completion of this course, you should be able to... | Graduate Qualities Completing these tasks successfully will contribute to you becoming... | |
1 | Develop an advanced and industry-informed practice of songwriting. | Knowledgeable |
2 | Work collaboratively with other songwriters and creators to produce works of song, music & sound. | Engaged |
3 | Apply advanced concepts of popular songwriting including lyric, rhythmic, melodic, structural, and arrangement elements. | Creative and critical thinker |
4 | Develop modern songwriting technology practices based on industry-level practices. | Empowered |
5 | Apply critical listening skills to evaluate and refine songwriting practices. | Empowered |
Refer to the UniSC Glossary of terms for definitions of “pre-requisites, co-requisites and anti-requisites”.
MUS100 or MUS101
Not applicable
Not applicable
Not applicable
Standard Grading (GRD)
High Distinction (HD), Distinction (DN), Credit (CR), Pass (PS), Fail (FL). |
There are regular opportunities in workshops to share ideas and work in progress for peer and teaching staff feedback.
Delivery mode | Task No. | Assessment Product | Individual or Group | Weighting % | What is the duration / length? | When should I submit? | Where should I submit it? |
All | 1 | Artefact - Creative, and Written Piece | Individual | 30% | 2-5 minute song + an annotated lyric sheet / visual representation |
Week 6 | Online Assignment Submission with plagiarism check |
All | 2 | Artefact - Creative, and Written Piece | Individual | 30% | 2-5 minutes original song + a 500 word written document |
Week 10 | Online Assignment Submission with plagiarism check |
All | 3 | Artefact - Creative, and Written Piece | Individual | 40% | approx 5-10 minutes of creative work (or equivalent) plus 200-400 word written document |
Exam Period | To be Negotiated |
All - Assessment Task 1:Song Sketch - expanded practices | |
Goal: | The purpose of this task is to demonstrate your developing knowledge of songwriting by showcasing your understanding of selected expanded concepts. |
Product: | Artefact - Creative, and Written Piece |
Format: | In this task, you will develop a song sketch which demonstrates a selection of expanded concepts from this course in the service of enhancing meaning making in the song. This submission is delivered as an audio artefact and a visual representation. |
Criteria: |
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All - Assessment Task 2:Original Stylistic Songwriting | |
Goal: | The purpose of this task is to present an original song that demonstrates stylistic songwriting. |
Product: | Artefact - Creative, and Written Piece |
Format: | In this task, you will develop an original song that demonstrates an applied understanding of stylistic songwriting. You will present this song as an audio file that demonstrates your songwriting, performance, and production ideas. You will also provide a short written document to explain your critical listening and application of stylistic songwriting. |
Criteria: |
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All - Assessment Task 3:Songwriting and Musical Direction | |
Goal: | The purpose of this task is to gain experience in the role and associated skillsets of Musical Director in a collaborative community-facing environment. |
Product: | Artefact - Creative, and Written Piece |
Format: | In this task, you will work as part of an interdisciplinary team to design, create, and realise a community-facing creative work. Your creative contribution can take the form of songwriting, musical works, and/or sound design elements. You can also be involved in the logistical or sound crew roles in the production. You will need to negotiate the specifics of the format with teaching staff. You will submit a written document detailing your contribution. |
Criteria: |
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A 12-unit course will have total of 150 learning hours which will include directed study hours (including online if required), self-directed learning and completion of assessable tasks. Student workload is calculated at 12.5 learning hours per one unit.
Please note: Course information, including specific information of recommended readings, learning activities, resources, weekly readings, etc. are available on the course Canvas site– Please log in as soon as possible.
Students are required to bring headphones to each class (with an adaptor for 1/4 inch sockets). Students will also need a storage device either cloud-based or flash/hard drive of more than 16 GBs. Students are expected to make themselves available for autonomous group rehearsals/recordings. Students must therefore consider their availability on evenings and weekends as well as normal working hours, especially from week 9 onwards.
Academic integrity is the ethical standard of university participation. It ensures that students graduate as a result of proving they are competent in their discipline. This is integral in maintaining the value of academic qualifications. Each industry has expectations and standards of the skills and knowledge within that discipline and these are reflected in assessment.
Academic integrity means that you do not engage in any activity that is considered to be academic fraud; including plagiarism, collusion or outsourcing any part of any assessment item to any other person. You are expected to be honest and ethical by completing all work yourself and indicating in your work which ideas and information were developed by you and which were taken from others. You cannot provide your assessment work to others. You are also expected to provide evidence of wide and critical reading, usually by using appropriate academic references.
In order to minimise incidents of academic fraud, this course may require that some of its assessment tasks, when submitted to Canvas, are electronically checked through Turnitin. This software allows for text comparisons to be made between your submitted assessment item and all other work to which Turnitin has access.
Your eligibility for supplementary assessment in a course is dependent of the following conditions applying: The final mark is in the percentage range 47% to 49.4% The course is graded using the Standard Grading scale You have not failed an assessment task in the course due to academic misconduct
Late submission of assessment tasks may be penalised at the following maximum rate: - 5% (of the assessment task's identified value) per day for the first two days from the date identified as the due date for the assessment task. - 10% (of the assessment task's identified value) for the third day - 20% (of the assessment task's identified value) for the fourth day and subsequent days up to and including seven days from the date identified as the due date for the assessment task. - A result of zero is awarded for an assessment task submitted after seven days from the date identified as the due date for the assessment task. Weekdays and weekends are included in the calculation of days late. To request an extension you must contact your course coordinator to negotiate an outcome.
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